Then we have Robin's soprano, with a still secret fretboard inlay. A coat or two of shellac goes on every day.
On the extremely messy bench you should be able to glimpse the body of BC's uke, and on the workboard there's a maple soprano under way - but that's not all mine. I have a student who comes by to learn a bit about building.
But now a few days of rest. Or maybe I'll bring one or two when I leave the workshop.