Thursday, October 27, 2016
Time to try the new brass caul I made! The lower jaw has its wobbly foot partially secured by a piece of leather jammed between it and the arm of the jaw, so the flat wooden caul won't play any tricks on me. Awkward sentence that.
Anyway, after running the triangular needle file in each slot, I hold the whole piece of fretwire in the now widened slot and aim with the brass caul.
And squish, in it goes. Much easier and with more control than with my old wooden caul. Getting rid of the wobbliness plays a big part here (see the awkward sentence in the first paragraph).
Seated perfectly in its entire length.
This pic is an attempt to show how the light reflects evenly on all frets [of the next fretboard]. I don't expect I'll have to use the levelling edge of my new dual purpose fretfile on these.
And this is to get rid of the backbow that we get after pressing in all the frets.
Only three more boards to fret and we're getting closer to the last steps; levelling fret ends, glueing fretboard, final trimming the overhanging bits of tops and backs, sanding, sanding, sanding, drilling for tuners, finishing (a project in itself everytime), making the stringholder, secret Argapa setup step, fitting the hardware, making the nut, compensating the bridge, attaching the biscuit to the cone, final assembly, stringing up, lowering the action, stamping the Argapa logo and number. Times six. With Argapa 100 chucked in between.