In the first pic you can see me using my Japanese kiridashi carving knife. It is insanely sharp, provided I take care of it.
Attacking the mahogany neck blank with my Pax rip saw. I really enjoy using the right tool for the job. Roughing out the neck blank is much faster with a coarse saw, no marks will remain for long anyway so why waste time with a smaller saw.
I found some rasps I bought a while back so I used one of them for the entry point. I saved a bit more of the heel this time, it’ll form a nice curve.
After making an exit point at the nut end I shift to the wee spokeshave to make the profile.
Attacking the mahogany neck blank with my Pax rip saw. I really enjoy using the right tool for the job. Roughing out the neck blank is much faster with a coarse saw, no marks will remain for long anyway so why waste time with a smaller saw.
I found some rasps I bought a while back so I used one of them for the entry point. I saved a bit more of the heel this time, it’ll form a nice curve.
After making an exit point at the nut end I shift to the wee spokeshave to make the profile.
I spent more time and used more tools. But didn’t take any more pics. Sorry about that.
And look at this. Both ukes have their necks on. The reso uses a bolt on system with a machine screw and barrel bolt, the soprano has my new fangled method with a cross grain dowel.
And look at this. Both ukes have their necks on. The reso uses a bolt on system with a machine screw and barrel bolt, the soprano has my new fangled method with a cross grain dowel.
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