A sharp number 4 plane with a cambered blade rushes through the wood as if it was a thick dairy product. Butter or cheese.
Then I made the rosette channel with my rosette cutter, easily the coolest tool I ever invested [rather heavily] in. Two cuts with a knife-like blade, then some routing with a narrow chisel blade.
I bent a mahogany strip on my secondary bending iron. It’s a huge soldering iron with a tip for, I think, de-horning cows. It gets crazy hot really fast so I have it plugged in for a couple of minutes tops.
After some fiddling it fit, the strip is 0.5 mm so four turns to fill the 2 mm slot.
I glued with thin, and after that medium ca glue. Here’s me paring it down once the glue is dry. With a Narex paring chisel.
Bracing in the go bar deck, after this pic I added a single brace across the bridge patch to secure the dome in the soundboard.
And some miniature plane action. Of cöurse!
While the glue on the rosette dried I marked out a centerline on the cherry piccolo, and matched the neck to the body. Avoiding sandpaper means you have to have sharp scrapers so I had to build a sharpening jig for my Stewmac ultimate scraper.
And here it is after assembly. The still square lute soundboard behind it reveals the jumbled timeline, but hey - it’s my blog and you can cry if you want to.
Then I made the rosette channel with my rosette cutter, easily the coolest tool I ever invested [rather heavily] in. Two cuts with a knife-like blade, then some routing with a narrow chisel blade.
I bent a mahogany strip on my secondary bending iron. It’s a huge soldering iron with a tip for, I think, de-horning cows. It gets crazy hot really fast so I have it plugged in for a couple of minutes tops.
After some fiddling it fit, the strip is 0.5 mm so four turns to fill the 2 mm slot.
I glued with thin, and after that medium ca glue. Here’s me paring it down once the glue is dry. With a Narex paring chisel.
Bracing in the go bar deck, after this pic I added a single brace across the bridge patch to secure the dome in the soundboard.
And some miniature plane action. Of cöurse!
While the glue on the rosette dried I marked out a centerline on the cherry piccolo, and matched the neck to the body. Avoiding sandpaper means you have to have sharp scrapers so I had to build a sharpening jig for my Stewmac ultimate scraper.
And here it is after assembly. The still square lute soundboard behind it reveals the jumbled timeline, but hey - it’s my blog and you can cry if you want to.
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