The koa concert needs either the final "glaze coat", which so far has proven to be very difficult. Or a buffing with some polish compound. I might settle for the latter, that at least I know how to pull off.
The walnut tenor and the mahogany piccolo (sod secrecy; here it is) are sealed, almost pore filled and ready for some more shellac. I could do another session of pore filling but have yet to decide exactly what I'm aiming at with these two. Semi-filled pores might be just right.
Here's the concert. Rather cool figure.
I gave the piccolo and the tenor a few more coats. It's starting to build up nicely. I'll let it shrink back a couple of days, then scrape it with a card scraper and start the french polishing work. Up until now I have avoided oil, but will use it from now on. I use walnut oil instead of olive oil, my experience is better with the aforementioned. If I understand it correctly, it dries together with the shellac and gives a tougher finish. Be that as it may, I don't have to wipe any excess off between coats.
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