Spruce soundboard, walnut back and (one piece) rim, alder neck, mahogany binding and rosette, mesquite fretboard and bridge.
The hand on the headstock is a pre-hispanic Mexican stamp design that I found in a book. It is appropriate on this instrument for a number of reasons. But apparently an Irish shamrock would’ve been good too, fanx ancestry.com.
But I did say one and a half, didn’t I. Well the mahogany reso is in the finish stage. So far the base coats of shellac has been applied, these are the four or five first and they’re done with no oil on the muneca. I’ve found that after those I need oil, and with the oil the finish starts building nicely. But with too few base coats it’s a hassle to progress to the polishing phase.
It does look quite sharp I think.
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